The Scottish National Gallery of Modern Art's collection of Dada and Surrealism is one of the best in the world. This catalogue provides a rich and comprehensive survey of this collection for the first time. There are detailed entries on more than 150 works, ranging from celebrated paintings by Dali, Miro and Magritte, to the extraordinary but little-known works of the British Surrealists. The catalogue also includes an essay on the history of Dada and Surrealism and another on the origins of the Scottish National Gallery of Modern Art's collection.

With Salvador Dali as its figurehead, the great ship of Surrealism traversed the wild and turbulent sea of the Roaring Twenties, its sails full of winds blown by Sigmund Freud and Andre Breton. With their mysterious, dreamlike, fantastic imagery, the Surrealists made sensational waves in the art world. The influence of artists such as Dali, Bunuel, Ernst, and Magritte on 20th century film, theatre, literature, art theory-even advertising-is inestimable. This book traces their legacy back to its origins. Featured artists: Hans Arp, Andre Breton, Brassai, Giorgio de Chirico, Salvador Dali, Max Ernst, Alberto Giacometti, Paul Klee, Rene Magritte, Andre Masson, Matta, Joan Miro, Pablo Picasso, Meret Oppenheim, Yves Tanguy.

With Salvador Dali as its figurehead, the great ship of Surrealism traversed the turbulent seas of the early 20th century with sails billowing with dreams and desires. Inspired by the psychoanalytical practice of Sigmund Freud, the Surrealists championed the unconscious as the domain of truth, uninhibited by the standards or expectations of society. With techniques ranging from hypnotism to nocturnal walks to automatic writing, the likes of Andre Breton, Max Ernst, Brassai, and Meret Oppenheim produced paintings, drawings, texts, and films in which they sought to excavate their most intimate and primal instincts. The results abound with sexual fantasies, with mysterious, menacing creatures, and with the juxtaposition of seemingly contradictory objects or ideas. This book introduces the origins and the sensational legacy of the Surrealist movement, one of the most profound and enduring influences on film, theater, literature, art, and thought. Featured artists: Hans Arp, Andre Breton, Giorgio de Chirico, Salvador Dali, Max Ernst, Alberto Giacometti, Paul Klee, Rene Magritte, Andre Masson, Matta, Joan Miro, Pablo Picasso, Meret Oppenheim, Yves Tanguy.

The works of Rene Magritte (1898 - 1967) and the ideas that underlie them are a special case both in the history of modern art and in surrealist painting. In the search for the "mystery" in which things and organisms are enveloped, Magritte created pictures which, taking everyday reality as their starting point, were to follow a different logic from that to which we are accustomed. Magritte depicts the world of reality in such unsecretive superficiality that the beholder of his pictures is forced to reflect that the mystery of it is not evoked by some sentimental transfiguration, but rather by the logic of his thoughts and associations. Magritte thus invented an inimitable pictorial language which he uses to question our usual comprehension of pictures. In this book, Jacques Meuris traces Magritte`s artistic development from its beginnings until the end of his life, and in doing so underlines the originality of this great Belgian Surrealist.

Salvador Dali was, and remains, among the most universally recognizable artists of the twentieth century. What accounts for this popularity? His excellence as an artist? Or his genius as a self-publicist? In this searching text, partly based on interviews with the artist and fully revised, extended and updated for this edition, Dawn Ades considers the Dali phenomenon. From his early years, his artistic friendships and the development of his technique and style, to his relationship with the Surrealists and exploitation of Freudian ideas, and on to his post-war paintings, this essential study places Dali in social, historical and artistic context, and casts new light on the full range of his creativity.

Intoxicated by the promise of a promotion, Charles Singular for once allows himself a small extravagance: he buys a bowler hat. But there's a problem: this is no ordinary hat. This one once belonged to the surrealist painter Rene Magritte, and by donning it Charles has unwittingly stepped into the artist's off-kilter world. What's more, he can't escape-at least, not until he has illuminated the secrets behind Magritte's work. What follows is a hallucinatory journey through Magritte's imaginative landscape, a place where facial features mutate, the crescent moon appears in unexpected places, and answers prove frustratingly elusive. In Magritte: This is not a Biography, Vincent Zabus and Thomas Campi have created a panoramic and revealing portrait of the great surrealist, employing a playfulness and wit reminiscent of Magritte himself.

Magritte's extraordinary late paintings When Rene Magritte reached his 40s, something unexpected happened. The painter, who had honed an iconic Surrealist style between 1926 and 1938, suddenly started making paintings that looked almost nothing like his earlier work. First he adopted an Impressionist aesthetic, borrowing the sweet, hazy palette of Pierre-Auguste Renoir-which he described as "sunlit Surrealism." Then his style shifted again, incorporating popular imagery, the brash colors of Fauvism and the gestural brushwork of Expressionism. And then Magritte returned to his classic style as if nothing had happened. Rene Magritte: The Fifth Season looks at the art Magritte made during and after the stylistic crises of the 1940s, revealing his shifting attitudes toward painting. Subjects explored in this volume include the artist's Renoir period; the periode vache, with its Fauvist- and Expressionist-style paintings that are little known to American audiences; the "hypertrophy of objects" paintings, a series that plays with the scale of familiar objects; and the enigmatic Dominion of Light suite, paintings that suggest the simultaneous experience of day and night. Featuring full-color plates of approximately 50 oil paintings, and a dozen of the artist's gouaches, Rene Magritte: The Fifth Season offers a new understanding of Magritte's special position in the history of 20th-century art. In a career of almost half a century, Belgian Surrealist Rene Magritte (1898-1967) probed the distance between object, language and image. Even as he playfully explored new styles, his painting practice remained consistent in its cautionary message not to equate the observable world with reality in all its fullness.

Four different voices tell their own versions of the same walk in the park. The radically different perspectives give a fascinating depth to this simple story which explores many of the author's key themes, such as alienation, friendship and the bizarre amid the mundane. Anthony Browne's world-renowned artwork is full of expressive gorillas, vibrant colours and numerous nods to Magritte and other artists, while being uniquely Browne's own style.

The thrilling third volume in the bestselling middle-grade trilogy, beautifully illustrated throughout by Chris Riddell Step through the door in the tree and into another breathtaking adventure. . . When Anneshka’s hunt for the greatest kingdom brings her into our world, Imogen and Marie know it’s bad news. But Anneshka isn’t their only problem. Mum’s boyfriend, Mark, is sick and getting sicker, thanks to the monsters he accidentally carried home. Can the girls escape Anneshka and find a cure for Mark before it’s too late? Their quest will take them through the door in the tree and further than ever before, into the magical lands of Nedobyt beyond. But there is more to this kingdom than meets the eye. Miro, Imogen and Marie must learn its secrets if they’re to save their families – and stop Anneshka once and for all. . .

The thrilling third volume in the bestselling middle-grade trilogy, beautifully illustrated throughout by Chris Riddell Step through the door in the tree and into another breathtaking adventure. . . When Anneshka’s hunt for the greatest kingdom brings her into our world, Imogen and Marie know it’s bad news. But Anneshka isn’t their only problem. Mum’s boyfriend, Mark, is sick and getting sicker, thanks to the monsters he accidentally carried home. Can the girls escape Anneshka and find a cure for Mark before it’s too late? Their quest will take them through the door in the tree and further than ever before, into the magical lands of Nedobyt beyond. But there is more to this kingdom than meets the eye. Miro, Imogen and Marie must learn its secrets if they’re to save their families – and stop Anneshka once and for all. . .

With Salvador Dalí as its figurehead, the great ship of Surrealism traversed the turbulent seas of the early twentieth century with sails billowing with dreams and desires. Inspired by the psychoanalytical practice of Sigmund Freud, the Surrealists championed the unconscious as the domain of truth, uninhibited by the standards or expectations of society.With techniques ranging from hypnotism to nocturnal walks to automatic writing, the likes of André Breton, Max Ernst, Brassaï, and Meret Oppenheim produced paintings, drawings, texts, and films in which they sought to excavate their most intimate and primal instincts. The results abound with sexual fantasies, with mysterious, menacing creatures, and with the juxtaposition of seemingly contradictory objects or ideas.This book introduces the origins and the sensational legacy of the Surrealist movement, one of the most profound and enduring influences on film, theatre, literature, art, and thought.Featured artists: Hans Arp, André Breton, Giorgio de Chirico, Salvador Dalí, Max Ernst, Alberto Giacometti, Paul Klee, René Magritte, André Masson, Matta, Joan Miró, Pablo Picasso, Meret Oppenheim, Yves Tanguy.

At night when you are fast asleep, another world awakens... Explore the world of night in this gorgeous picture book and discover nocturnal animals in the countryside, cities that never sleep and the secrets of the night sky. With lots to look at and talk about on every page and links to specially selected websites with more to discover.

The chant of 'Azadi!' - Urdu for 'Freedom!' - is the slogan of the freedom struggle in Kashmir against what Kashmiris see as the Indian Occupation. Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism. Even as Arundhati Roy began to ask what lay between these two calls for Freedom - a chasm or a bridge? - the streets fell silent. Not only in India, but all over the world. The Coronavirus brought with it another, more terrible understanding of Azadi, making a nonsense of international borders, incarcerating whole populations, and bringing the modern world to a halt like nothing else ever could. In this series of electrifying essays, Arundhati Roy challenges us to reflect on the meaning of freedom in a world of growing authoritarianism. The essays include meditations on language, public as well as private, and on the role of fiction and alternative imaginations in these disturbing times. The pandemic, she says, is a portal between one world and another. For all the illness and devastation it has left in its wake, it is an invitation to the human race, an opportunity, to imagine another world.

Magritte in 400 images offers a selection of the most iconic paintings by Rene Magritte, along with a multitude of lesser-known jewels from his expansive oeuvre. The novel choice of works will surprise and delight readers as they continue to uncover ever more facets of the master Surrealist, from his unique gouaches to his painted bottles. Spanning seven chapters, this book brings together the myriad aspects of Magritte’s pictorial vision. Beginning with his first forays into abstract painting in the 1920s, navigating his search for solace in his Sunlit Period, as well as his brittle ‘Vache’ Period, before finally moving on to his Surrealist masterpieces of the 1950s and 1960s, it gently guides the reader through Magritte’s world.

The COVID-19 pandemic isn't over, but even as governments around the world strive to put it behind us, they're also starting to talk about what happens next. How can we prevent a new pandemic from killing millions of people and devastating the global economy? Can we even hope to accomplish this? Bill Gates believes the answer is yes, and in this book he lays out clearly and convincingly what the world should have learned from COVID-19 and what all of us can do to ward off another disaster like it. Relying on the shared knowledge of the world's foremost experts and on his own experience of combating fatal diseases through the Gates Foundation, he first makes us understand the science of corona diseases. Then he helps us understand how the nations of the world, working in conjunction with one another and with the private sector, can not only ward off another COVID-like catastrophe but also go far to eliminate all respiratory diseases, including the flu. Here is a clarion call - strong, comprehensive, and of the gravest importance - from one of our greatest and most effective thinkers and activists.

The chant of "Azadi!" - Urdu for "Freedom!" - is the slogan of the freedom struggle in Kashmir against what Kashmiris see as the Indian Occupation. Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism. Even as Arundhati Roy began to ask what lay between these two calls for Freedom - a chasm or a bridge? - the streets fell silent. Not only in India, but all over the world. The Coronavirus brought with it another, more terrible understanding of Azadi, making a nonsense of international borders, incarcerating whole populations, and bringing the modern world to a halt like nothing else ever could. In this series of electrifying essays, Arundhati Roy challenges us to reflect on the meaning of freedom in a world of growing authoritarianism. The essays include meditations on language, public as well as private, and on the role of fiction and alternative imaginations in these disturbing times. The pandemic, she says, is a portal between one world and another. For all the illness and devastation it has left in its wake, it is an invitation to the human race, an opportunity, to imagine another world.