While some architects have a signature style, Renzo Piano seeks to apply coherent ideas to extraordinarily different projects. His buildings impress as much for their individual impact as for their diversity of scale, material, and form.Piano rose to international prominence with his codesign of the Pompidou Center in Paris, described by The New York Times as a building that “turned the architecture world upside down.” Since then, he has continued to craft many high-profile cultural spaces, including the Modern Wing of the Art Institute of Chicago; the Morgan Library Renovation and Expansion in New York; and, most recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan’s Meatpacking District with both indoor and outdoor galleries. In New York and London, the Renzo touch has also transformed the skyline with the towers of the New York Times Building and the Shard, the tallest building in the European Union.This essential introduction travels from Osaka, Japan, to Bern, Switzerland, and through many cities, structures, and islands in between, to explore the staggering scope of the Renzo Piano repertoire. From the “inside-out” Pompidou to the airy shells of the Tjibaou Cultural Center in Noumea, New Caledonia, this is a thrilling journey through the beauty of architecture, where, in Piano’s own words, “each time, it is like life starting all over again.”

While some architects have a signature style, Renzo Piano seeks to apply coherent ideas to extraordinarily different projects. His buildings impress as much for their individual impact as for their diversity of scale, material, and form.Piano rose to international prominence with his codesign of the Pompidou Center in Paris, described by The New York Times as a building that “turned the architecture world upside down.” Since then, he has continued to craft many high-profile cultural spaces, including the Modern Wing of the Art Institute of Chicago; the Morgan Library Renovation and Expansion in New York; and, most recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan’s Meatpacking District with both indoor and outdoor galleries. In New York and London, the Renzo touch has also transformed the skyline with the towers of the New York Times Building and the Shard, the tallest building in the European Union.This essential introduction travels from Osaka, Japan, to Bern, Switzerland, and through many cities, structures, and islands in between, to explore the staggering scope of the Renzo Piano repertoire. From the “inside-out” Pompidou to the airy shells of the Tjibaou Cultural Center in Noumea, New Caledonia, this is a thrilling journey through the beauty of architecture, where, in Piano’s own words, “each time, it is like life starting all over again.”

"The array of buildings by Renzo Piano is staggering in scope and comprehensive in the diversity of scale, material, and form. He is truly an architect whose sensibilities represent the widest range of this and earlier centuries." Such was the description of Renzo Piano given by the Pritzker Prize jury citation as they bestowed the prestigious award on him in 1998. Whereas some architects have a signature style, what sets Piano apart is that he seeks simply to apply a coherent set of ideas to new projects in extraordinarily different ways. "One of the great beauties of architecture is that each time, it is like life starting all over again," Piano says. "Like a movie director doing a love story, a Western, or a murder mystery, a new world confronts an architect with each project." This explains why it takes more than a superficial glance to recognize Piano's fingerprints on such varied projects as the Pompidou Center in Paris, the Kansai Airport in Osaka, Japan, the Tjibaou Cultural Center in Noumea, New Caledonia, the Zentrum Paul Klee in Bern, Switzerland, The New York Times Building in New York, and his most recent structure, the London Bridge Tower, which will be upon completion the tallest building in Western Europe.

While some architects have a signature style, Renzo Piano seeks to apply coherent ideas to extraordinarily different projects. His buildings impress as much for their individual impact as for their diversity of scale, material, and form. Piano rose to international prominence with his codesign of the Pompidou Center in Paris, described by The New York Times as a building that "turned the architecture world upside down." Since then, he has continued to craft many high-profile cultural spaces, including the Modern Wing of the Art Institute of Chicago; the Morgan Library Renovation and Expansion in New York; and, most recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan's Meatpacking District with both indoor and outdoor galleries. In New York and London, the Renzo touch has also transformed the skyline with the towers of the New York Times Building and the Shard, the tallest building in the European Union. This essential introduction travels from Osaka, Japan, to Bern, Switzerland, and through many cities, structures, and islands in between, to explore the staggering scope of the Renzo Piano repertoire. From the "inside-out" Pompidou to the airy shells of the Tjibaou Cultural Center in Noumea, New Caledonia, this is a thrilling journey through the beauty of architecture, where, in Piano's own words, "each time, it is like life starting all over again."

Comprises research articles primarily resulting from a workshop of US-China Workshop on Analytics for Building-Scale Sustainable Ecosystems. Researchers present their views of bottlenecks in engineering, software and social sciences, forming a nexus of critical issues impeding wider application of net-zero-energy building technology in the context of defining building-scale sustainable ecosystems.

Comprises research articles primarily resulting from a workshop of US-China Workshop on Analytics for Building-Scale Sustainable Ecosystems. Researchers present their views of bottlenecks in engineering, software and social sciences, forming a nexus of critical issues impeding wider application of net-zero-energy building technology in the context of defining building-scale sustainable ecosystems.

"The array of buildings by Renzo Piano is staggering in scope and comprehensive in the diversity of scale, material, and form. He is truly an architect whose sensibilities represent the widest range of this and earlier centuries." Such was the description of Renzo Piano given by the Pritzker Prize jury citation as they bestowed the prestigious award on him in 1998.Whereas some architects have a signature style, what sets Piano apart is that he seeks simply to apply a coherent set of ideas to new projects in extraordinarily different ways. "One of the great beauties of architecture is that each time, it is like life starting all over again," Piano says. "Like a movie director doing a love story, a Western, or a murder mystery, a new world confronts an architect with each project." This explains why it takes more than a superficial glance to recognize Piano's fingerprints on such varied projects as the Pompidou Center in Paris (1971–77), the Kansai airport in Osaka, Japan (1990–94), and the Tjibaou Cultural Center in Noumea, New Caledonia (1993–98). This stunning monograph, illustrated by photographs, sketches, and plans, covers Piano's career to date. The updated publication includes new photographs of projects completed since the previous edition, such as his The New York Times Building in New York, the Zentrum Paul Klee in Bern, Switzerland, The Morgan Library in New York, as well as some sneak peeks at his current projects, including the 66-story London Bridge Tower, which is set to be Europe's tallest building. About the author: Philip Jodidio studied art history and economics at Harvard, and edited Connaissance des Arts for over 20 years. His books include TASCHEN's Architecture Now! series, Building a New Millennium, and monographs on Tadao Ando, Norman Foster, Richard Meier, Jean Nouvel, and Zaha Hadid. He is internationally renowned as one of the most popular writers on the subject of architecture. Издание на английском, французском и немецком языках.

The Italian master's complete oeuvre Renzo Piano rose to international prominence with his co-design of the Pompidou Center in Paris, described by The New York Times as a building that "turned the architecture world upside down." Since then, he has continued to craft such iconic cultural spaces as the Modern Wing of the Art Institute of Chicago and, more recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan's Meatpacking District with both indoor and outdoor galleries. In London, the Piano touch has also transformed the skyline with the Shard. At the age of 84, the Italian maestro retains all of his enthusiasm and kindness-and his recent roster is more impressive than ever. As he confided to the author, "I think at a certain age, one can discover that there is what the French call the 'fil rouge,' a kind of red thread that relates one building to another over time. In my case, I believe it is about lightness and the art of building." From freshly built museums in Athens and Santander; ongoing works in Lisbon, London, Toronto, and Geneva; to such humanitarian projects as the Emergency Children's Surgical Hospital in Entebbe, Uganda, and the Children's Hospice in Bologna, Italy, Piano's career is a thrilling journey through the beauty and very essence of architecture. Based on the massive XXL monograph, this widely updated edition brings the architect's definitive career overview to an accessible format and is illustrated by photographs, sketches, and plans.

'Elegant and enjoyable...a thoughtful exploration of the twin delights of the piano and the Parisian life' Express on Sunday T. E. Carhart, an American living in Paris, is intrigued by a piano repair shop hidden down a street near his apartment. When he finally gains admittance to the secretive world of the atelier, he finds himself in an enormous glass-roofed workshop filled with dozens of pianos. His love affair with this most magical of instruments and its music is reawakened. Packed with delicate cameos of Parisians and reflections on how pianos work and their glorious history, The Piano Shop on the Left Bank is an atmospheric and absorbing journey to an older way of life.

Italy enjoys a reputation earned by centuries of devotion to aesthetics. As well as the ancient monuments and fantastic Renaissance period buildings, Italian culture includes key figures who have contributed to the development of architecture, from Marcus Vitruvius and Filippo Brunelleschi, to Leon Battista Alberti and Andrea Palladio and of course, Michelangelo. The list of internationally recognized contemporary Italian artists is somewhat shorter. Only two have won the prestigious Pritzker Architecture Prize: Aldo Rossi in 1990 and Renzo Piano in 1998. With a portfolio of buildings such as the Pompidou Center in Paris and the Kansai airport terminal in Japan, Piano is almost the only Italian among the greats of modern architecture. He has recently shared that distinction with Rome's Massimiliano Fuksas, whose latest works have seen him join the ranks of leading designers.

The Drunken Sailor traces the life of Arthur Rimbaud: poet, surrealist, libertine and gun runner. In dazzling artwork, Nick Hayes follows Rimbaud from his youth in Ardennes to the poetry salons of Paris, from the absinthe-glazed passion of his relationship with Verlaine to his flight into the jungles of Indonesia and the deserts of Yemen and Egypt. Told entirely in Rimbaud’s own words, from a new translation of Le bateau ivre, The Drunken Sailor confirms Nick Hayes’ place as one of the most talented graphic novelists at work today.

A vivid adventure filled with danger and heroism from the author of Murder in Midwinter. Athan Wilde dreams of flight. When his friend, Mr Chen, is murdered, Athan must rescue the flying machine they were building together and stop it falling into the wrong hands. But keeping the machine safe puts his family in terrible danger. What will Athan choose – flight or family? From the acclaimed author of Murder In Midwinter, Fleur Hitchcock’s The Boy Who Flew is a thrilling, murderous tale set among the steep rooftops and slippery characters of Athan’s intricately imagined world. Perfect for fans of Philip Pullman, Peter Bunzl and Philip Reeve.

Classics, modern fiction, non-fiction and more. Written for secondary and adult students the Oxford Bookworms Library has seven reading levels from A1-C1 of the CEFR. One day, a farmer tells a farm boy to take everything out of an old building and throw it away. 'It's all rubbish,' he says. In the middle of all the rubbish, the boy finds a beautiful old piano. He has never played before, but now, when his fingers touch the piano, he begins to play. He closes his eyes and the music comes to him - and the music moves his fingers. When he opens his eyes again, he knows that his life is changed for ever...

Creating the "total work of art". The Wiener Werkstatte ("Vienna Workshop") bears many hallmarks of a modern creative movement. Founded in 1903 by Josef Hoffmann, Koloman Moser, and Fritz Waerndorfer, this progressive alliance of artists and designers was particularly interested in challenging industrialised society with individual handcraftsmanship, and in bringing different facets of life into one unified, elegant artwork. The workshop began life in three small rooms, but soon expanded to fill a three storey building with special departments for metalwork, leatherwork, and woodwork, as well as a book binder and a paint shop. Artists experimented with various materials such as gold, precious stones, and papier mache and applied their simple, often geometric, designs across ceramics, textiles, typography, interior design, furniture, and fashion. In architectural commissions such as the Purkersdorf Sanatorium and the Palais Stoclet in Brussels, the group was able to realize its ideal of the Gesamtkunstwerk ("total artwork"), in which every detail of an environment was designed as an integral part of a coordinated whole. Though the workshop lasted only 30 years, it enjoyed major commercial success, with outlets in Karlsbad, Marienbad, Zurich, New York, and Berlin. It also garnered designs from many of the leading artists of the epoch, including Gustav Klimt, Oskar Kokoschka, and Egon Schiele. Today, the Vienna Workshop is recognized for its comprehensive approach to artistic practice and its stylistic influence on Art Deco and Bauhaus.

Book DescriptionOne of a series of authoritative pocket guides introduced last year, the Amsterdam and: guide highlights several of the city's newest and most interesting governmental, residential, and commercial buildings (by architects such as Steven Holl, Renzo Piano, and Kees van der Valk) and also showcases distinctive interior design. Included are short profiles of more than sixty buildings and color photographs to accompany each. This is an indispensable little guide in an attractively designed package that comes with a site map for easy use by tourists and professionals alike.

Seduced by politics, poetry and an enduring dream of building a better world together, the unnamed narrator falls in love with a university professor. Moving with him to a rain-washed coastal town, she swiftly learns that what for her is a bond of love is for him a contract of ownership. As he sets about reducing her to his idealised version of an obedient wife, bullying her and devouring her ambition of being a writer in the process, she attempts to push back - a resistance he resolves to break with violence and rape. .